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Gyalwang Karmapa attends the offering of light at the stupa

December 31, 2009, Mahabodhi Temple, Bodhgaya, report by Michele Martin,
photos taken by
Karma Norbu, Pema Orser Dorje, Cheng, Lu-Chung

 

On New Year’s eve, the area around the stupa is filled with excitement as the final event of the 27th Kagyu Monlam Chenmo draws near. The outer path around the stupa is so crowded that it is almost impossible to cross the densely packed mass of people and enter the central area where the offering of light will take place.  Inside, the different chanting groups are having a last rehearsal on the long flight of steps that leads down to the Bodhi Tree.  These marble stairs will serve as the stage which faces directly His Holiness.  This evening he is sitting on a lower throne that brings him nearer to everyone. Its back is covered in a stunning vermillion colored cloth, embroidered with a golden phoenix whose long feathers swish in undulating curves all around him.

In the background of the evening’s sounds, you can hear the Pali chants broadcast from the stupas’s loudspeakers; coming through the speakers for the Monlam is His Holiness reading a text with Chinese music behind his resonant voice.  At the top of the stairs, a screen has been set up and a projector sends images of these last days at the Monlam: His Holiness smiling as he walks down the stairs; Gyaltsap Rinpoche in intense discussion with his (and His Holiness’s) teacher, Khenchen Thrangu Rinpoche; or Jamgon Kongtrul Rinpoche, now grown quite tall, smiling into the camera.

Votive lights have been passed out to everyone. They are smoke-free in consideration of the environment and sit a small ceramic dish encircled by golden petals.  The initial candle will be lit by His Holiness and then he will pass this first light to Gyaltsap Rinpoche’s candle, who will then pass the light along to another, until everyone has a bit of the original flame from His Holiness.

Around 7pm, His Holiness takes his throne to become the master of ceremony.  The first three groups do not appear on the “stage” but chant from their microphones.  First the Thai monks recite in Pali The Sutra Remembering the Three Jewels, which has been chanted in Sanskrit on alternate days during the Monlam.  Recited in Sanskrit are refuge and a praise of the Buddha, both of which have been chanted for the last eight days in the early hours of the morning.  For Tibetan, we all chant the short Chenrezik practice known as The All-Pervading Benefit of Beings.  As His Holiness is considered an emanation of Chenrezik, this practice seemed specially appropriate and a rare chance to make this precious connection with His Holiness at the Bodhi Tree.

Next His Holiness asked the Korean sangha to come forward. They performed “The Song of the Bell,” which wishes for well-being and, in particular, liberation for all living beings. Chanted in the very early morning, these verses are selected from the writings of various Zen masters. One nun sang the verses in a lilting rhythm and periodically rang a large bell in front of her. Supporting her voice from time to time with long low tones, the sangha in their grey robes and brown chogu (shawl) stood behind her with their palms together.

The following sangha was eight monks from Vietnam dressed in soft golden-colored robes. They carried various instruments: a small hand bell, a little metal drum with a curved stick, a small bowl gong with a metal shaft, and a small wooden fish with a wood stick, all of them played to keep the beat.  Their chanting modulated through various styles, one of which was a quick circulating sound as if the tones were turning around inside them.

His Holiness then called for the Chinese sangha, which consisted of eight monks in their bright yellow and orange robes, and in the back row, five lay women dressed in dark colors, carrying bouquets of pink flowers. Three monks in front held glowing lotuses which they raised from time to time in a respectful bow. Their chanting of “The Prayer to the Buddhas of the Ten Directions” was backed up by recorded music, beginning with a solo flute and moving into several instruments. One monk with a small bowl gong on a staff led the chanting which alternated between the monks and the women.  At the end, sprays of colored foil were tossed in the air, catching flashes of light as they floated to the ground.

Two women in lovely voices began the English chanting by offering a plaintiff Gregorian chant in Latin that went right to the heart.  Then the whole group sang His Holiness’s song, “An Aspiration for the World.”

World, we live and die on your lap.

On you we experience all our woes and joys.

You are our ancestral home of old.

Forever we cherish and adore you.

We wish to transform you into a land for all creatures,

Equal for all and free of prejudice.

We wish to transform you into a loving, warm, and gentle goddess.

Our hope in you is ever so resolute.

So please be the ground on which we all may live

So all these wishes may come true,

So all these wishes may come true.

Do not show us the dark side of your character,

Where nature’s calamities reign.

In every section of our world’s land

May there thrive a fertile field of peace and joy,

Rich with leaves and fruits of happiness,

Filled with the many sweet scents of freedom.

May we fulfill our countless and boundless wishes.

 

Next were a group from the Dharmapalas, (“Dharma protectors”), young men and women from Tibetan schools who come to help with crowd control during the Monlam. They are stationed around the grounds and especially at the gates and along the main stairs.  They are integral to the smooth flow of events during the Monlam.  Participating in the Monlam also gives them a chance to go on pilgrimage to the most important Buddhist site and to spend time in the presence of His Holiness. The nine young women and nine young men wore traditional Tibetan dress: the former in a long grey chupa and an indigo silk bouse and the later in a white silk shirt and black chupa. They sang in Tibetan “A Melody for the Three Jewels” alternating between them and then ending with them all singing together.

Finally, all the performers came back to the steps and sang “The Lamp Prayer,” written by Jowo Atisha. In the beginning, His Holiness read and we repeated after him the first part:

May the bowl of this lamp become equal to the outer ring of this world realm of the great Three Thousands.  May its stem be the size of the King of Mountains, Mt. Meru.  May its oil fill the surrounding oceans.  In number, may a hundred million appear before each and every buddha.  May its light dispel all the darkness of ignorance from the Peak of Existence to the Incessant Hell and illumine all the pure realms of the buddhas and bodhisattvas of the ten directions so they are clearly seen.  Om Vajra Aloke An Hum (Om, vajra light, ah hum).

Then everyone chanted the remaining three verses in Tibetan, Chinese, and English as His Holiness lit his lamp and the light was spread to everyone, the darkness of the area around the stupa filling with stars of light.  Before he left, His Holiness thanked everyone for coming and wished them a Happy New Year.  The sound of “Karmapa Khyenno” filled the evening air as people slowly passed through the gates into the world outside.

 

 

 

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